South’s self-titled debut is one part mood-music for the masses. For bookworms, it is an exegesis on the great ambient-rock moments of the 20th century. Some would call it the soundtrack to vacancy. Repetition has never been so substantial.Incorporating such things as tightly wound loops and arpeggiation into their music, South redefines these devices through songwriting and orchestration to arrive at something that is intricate but simplistic in tone. Aside from the sweeping sounds of the keyboard, everything is done organically. It is when other instruments are added and time signatures are layered that South’s sound is discovered.South are three well-heeled souls from Richmond, Virginia: Patrick Phelan and Nathan Lambdin, the principle songwriters, and Tod Parkhill, who contributes drum parts. They are joined on-stage by a larger supporting cast which has grown with their music: most often Bryan Hoffa on bass, Jess Bittner on vibraphone, Peter Neff (a Pan American and Labradford contributor) on hammmered dulcimer, and either Via Nuon (Drunk, Bevel) or Rick Alverson (Drunk, Spokane) on keyboard.